Zimbabwe : Photos

Descubram cada dias das Fotografias dos diferentes países da África e as Antilhas

Todas as imagens provêm do serviço de divisão de fotografia flickr

Utilizem a ementa de esquerda para escolher um país.




Lichens showing off

Photographed at the Great Zimbabwe Ruins, Zimbabwe




Going down to no river.

Photographed in the Hwali River Bridge area, Tuli, Zimbabwe.




Bridge to nowhere?

A lonely road in an endless landscape and a bridge over a river that is for now dry ... visiting Tuli!
Photographed at the Hwali River Bridge area, Tuli, Zimbabwe.




Euphorbia cooperi var. cooperi

Photographed in the Hwali River Bridge area, Tuli, Zimbabwe.




Aptosimum lineare

This beautifull deeply purple-blue coloured scroph managed to survive in bare cement of the Hwali River Bridge area, Tuli, Zimbabwe.

More info:[www.zimbabweflora.co.zw/speciesdata/species.php?species_i...]




Namaqualand on a smaller scale

These lichens show an amazing array of colours on the rocks.
Photographed in the Hwali River Bridge area, Tuli, Zimbabwe.




Danaus chrysippus aegyptius

The flowers of Verbena brasilliensis seem to be very popular with butterflies.
Photographed at Maleme Dam, Matopo, zimbabwe.




Cleome oxyphylla

Photographed at Maleme Dam, Matopo, zimbabwe.




Belvisia spicata

Screams and shouts of joy were echoing through the rain forest of Aberfoyle when I finally came across this strange fern. It survived on this fallen tree and conveniently hung at eye level for its picture to be taken! No doubt naming it: the fertile segment is situated on top of the sterile leaf.
Photographed at the Nyakombe river, Aberfoyle, Zimbabwe.
More info: [www.zimbabweflora.co.zw/speciesdata/species.php?species_i...]




Ampelopteris prolifera

Very characteristic are the 5-7 pairs of veins anastomosing below the shallow sinus of the pinnae. It also has several small buds along the stem that can form new plantlets.
Photographed in Hippo Pools, zimbabwe.
More info: [www.zimbabweflora.co.zw/speciesdata/species.php?species_i...]




Ampelopteris prolifera

An exciting first find for me! This fern grows along river banks, very often in reed and tall grasses.
Photographed in Hippo Pools, zimbabwe.
More info: [www.zimbabweflora.co.zw/speciesdata/species.php?species_i...]




AES International wins best management team at Fast Track 100 awards | Press Releases | RSM Tenon

financial-advisor-uganda posted a photo:

AES International wins best management team at Fast Track 100 awards | Press Releases | RSM Tenon




Namibian graduates in Zimbabwe academy of military affairs. President Mugabe recognized the link between Southern African liberation movements and current developments in the sub-continent.

President Mugabe says liberation movements shape current struggles in Southern Africa.




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Victoria Falls Rainbow

We tend to “read” photos in the same way we read a page in a book – left to right, and top to bottom (in the Western world).

Although this visual journey might happen so fast that we’re not even aware of it, our eyes will always enter the frame in the top-left corner, and travel downwards towards the bottom right-hand corner. Understanding how we read photos allows us to place the elements in the frame in such a way that we can guide the viewer’s eyes through our compositions.

Diagonal lines that start in the upper-left corner and end in the bottom-right corner are known as the “primary diagonals”, while diagonal lines that start in the bottom-left corner and end in the top-right corner are known as “secondary diagonals”. Because the movement of our eyes is downhill with primary diagonals and uphill with secondary diagonals, compositions with strong primary diagonal lines tend to be more dynamic and energetic than compositions which include strong secondary diagonals.

Since our objective should always be to lead the viewers’ eyes towards our primary subject (or main point of interest) instead of away from it, if we are going to include primary diagonals in our compositions, then it makes sense that we place our primary subject in the bottom right-hand corner of the frame. When our eyes enter the frame in the same corner as our primary subject, then the only direction they can move from there is towards the less-interesting elements. If those less-interesting elements are not captivating enough, there is a good chance that the viewers’ eyes might exit the frame sooner than we would like them to.

This photo of a double rainbow over the Victoria Falls is a good example of how we can use primary diagonals to lead our eyes towards the main point of interest in the bottom right-hand corner.

Nikon D800, Nikkor 14-24 at 24mm, aperture of f/11, with a 1/250th second exposure.

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Rhodesia

1950




Mokoomba

Maarten Kerkhof posted a photo:

Mokoomba




S?bastien Van Hoey

Maarten Kerkhof posted a photo:

S?bastien Van Hoey




Mathias Muzaza

Maarten Kerkhof posted a photo:

Mathias Muzaza




Abundance Mutori

Maarten Kerkhof posted a photo:

Abundance Mutori





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